|Robin Eubanks and Jason Singh duetting|
Ode to the Human Spirit
(Union Chapel. 30th April 2015 – International Jazz Day. Review by Sebastian Scotney)
Within its first three years, this bold venture, which has become the main London celebration of UNESCO’s International Jazz Day, has grown from the small upstairs hall at the SGI centre in a Brixton side street, via Kings Place last year, to the octagonal Victorian splendour of Union Chapel.
The size of Union Chapel did not overwhelm these protagonists at all, and there was no mistaking the energy and single-mindedness of all of those involved. Again and again the listener had the sense that a soloist wanted to rise to the big occasion, and produce a meaningful contribution to it. A top-class big band like this, glorying in its own sound, provides the launch-pad for soloists to want to bring their all. Alto saxophonist Christian Brewer (below) with an impassioned and fluent solo on Simon Purcell’s Nadatar, Rod Youngs on drums towards the end of the same piece, Byron Wallen on Jason Yarde’s high-energy Tall Call, guitarist Carl Orr on Blues for Jimi – they all made their big moments count, and they weren’t alone.
|Christian Brewer soloing
Photo credit: Roger Thomas
It was also an evening to enjoy varied and good quality wrting for big band. From the lopsided grooves of Yazz Ahmed‘s El Emadi to the intricacies of Nadiem Teimoori‘s Man of Two Visions, to the high-voltage energy of Jason Yarde‘s Tall Call, a consistent pleasure in this concert was the quality of composition and arrangement.
Not yet a subscriber of our Wednesday Breakfast Headlines?
Join the mailing list for a weekly roundup of Jazz News.
The roster of guests also entered into the spirit. Robin Eubanks was at his most convincing when interacting with either Jason Singh or the band – his improvised duet at the start of the second set Singh, in which the vocal sculptor/beatboxer and trombonist sparred with each other was genuinely funny, each soloist in danger of creasing up the other with laughter.
Sean Corby‘s spoken introductions and MC’ing were exemplary, and brought home clearly and emphatically the virtues, the importance and the unashamed idealism of this project, based on “music which expresses optimism in the face of adversity.” This joyous and worthwhile venture deserves to prosper.
THE HUMAN REVOLUTION ORCHESTRA
TRUMPETS: Yazz Ahmed, Noel Langley, Sean Corby, Mick Ball
SAXOPHONES: Denys Baptiste, Christian Brewer, Nadim Teimoori, Gemma Moore, Martin Speake
TROMBONES: Harry Brown, Jon Enright, Nat Cross, Richard Henry
DRUMS: Rod Youngs / Cosimo Keita Cadore
BASS: Larry Bartley / Nigel Thomas
PIANO: Simon Purcell
GUITAR: Carl Orr
Percussion: Graeme Evelyn, Neville Murray
GUESTS: : Robin Eubanks, Randolph Matthews, Jason Singh, Jason Yarde, Byron Wallen
Divine Revalation- Andrew Hill Arr. Noel Langley
Tell Me A Bedtime Story- Hancock
Man of Two Visions- Teimoori
Tall Call- Yarde
Improvised duet by Robin Eubanks and Jason Singh
Al Emadi- Yazz Ahmed
Nadatar- Simon Purcell
Lover Man- arr Eubanks
Blues for Jimi- Eubanks
Thank you so much for your post.”Jazz is not simply music.Jazz is about civil rights,human dignity and dialogue among cultures.Jazz emphasizes the importance of creativity and freedom of expression.”As UNESCO Director-General Irina Bokova added.Thanks again.
I think you'll find Blues for Jimi is written by Carl Orr…
Thanks Marco, I contacted the organizers and am told while Carl Orr has indeed written a tune of the same name, that was not what was performed. “Blues for Jimi” gets 80,000 Google results so there are undoubtedly others too! Sebastian