
Echoes of Swing – Winter Days at Schloss Elmau (ACT 9105-2 CD Review by Peter Vacher) I’ve enjoyed a number of this long-established international quartet’s previous ACT releases. Their neat re-runs of […]
Echoes of Swing – Winter Days at Schloss Elmau (ACT 9105-2 CD Review by Peter Vacher) I’ve enjoyed a number of this long-established international quartet’s previous ACT releases. Their neat re-runs of […]
Sarah Thorpe – Deep Blue Love (Dot Time Records DT9087. CD Review by Adam Sieff) There’s something special about jazz music in Paris. Maybe it’s the the beautiful architecture, the atmosphere, the […]
Carmen Lundy – Modern Ancestors (Afrasia AFP 13823. CD Review by Peter Jones) Carmen Lundy treads her own path. Not for her the water-treading predictability of so many jazz singers, forever recycling […]
Stefan Aeby – Piano Solo (Intakt Records CD332. CD review by Brian Marley) Stefan Aeby’s 2018 Intakt release, The London Concert, featured a standard piano trio. A very good trio. On Piano […]
“The Real Thing” – American Jazz Week featuring Kirk Lightsey and Jean Toussaint (Cafe Museum, Passau 28, 29 December 2019. Review by Oliver Weindling) A band including Detroit piano great Kirk Lightsey […]
Guy Barker’s Big Band Christmas (Royal Albert Hall. 19 December 2019. Review by Georgina Williams) Guy Barker’s Big Band Christmas at the Royal Albert Hall was a three-hour festive extravaganza. Because of […]
Sebastian’s regular London Column in the new issue of the German magazine JAZZTHETIK (link to German text below) looks forward to new releases by 2020 releases from two musicians with a family […]
Jazz Connective (The Ark, Dublin. 11 and 12 December 2019. Report by Tony Dudley-Evans and Oliver Weindling) The Jazz Connective is a year-long, EU-funded project which brings together promoters and musicians from […]
The Bureau Of Atomic Tourism (Nona Arts Centre, Mechelen, 6 December 2019. Review by Martin Longley) Following on from Martin Longley’s review of Porous Structures , this is the second of gig […]
REVIEW: Mark Lockheart Quartet (Empire Bar Hackney. 11 December 2019. Review by AJ Dehany) Tenor titan Mark Lockheart’s new group is a bit of a beast: four heavyweight players presenting new compositions […]
Ted Gioia – Music: A Subversive History (Basic Books, 2019. 528 Pages. Book review by Peter Jones) Ted Gioia is the author of many books about jazz, including West Coast Jazz (1992) and […]
Porous Structures (Het Predikheren, Mechelen.Brand! Festival. 5 December 2019. Review by Martin Longley) Mechelen is a small-ish city in Flanders, equidistant between Brussels and Antwerp, but it has its own five-year-old festival […]
Sebastian writes: It has just been announced that the Royal Academy of Music will have a mini-festival over two nights to mark the ECM Records 50th Anniversary. 30 January, 7.30 pm Susie […]
The Shape Of Jazz To Come presents: Orphy Robinson & Mark Mondesir: “I heard you twice the first time” (Vortex, 10 December 2019. Review by AJ Dehany) Jazz Warriors alumni Orphy Robinson […]
Brian Shankar Adler’s Fourth Dimension (Jalopy Theatre, New York, 5 December 2019. Review by Dan Bergsagel) Every jazz musician brings a tradition with them into the music they compose and improvise. Having […]