Rudresh Mahanthappa ft. François Moutin and Rudy Royston – Hero Trio (Whirlwind Recordings WR 4760. CD review by Dan Bergsagel) In 2015 Rudresh Mahanthappa recorded Bird Calls, a quintet session of original pieces inspired by Charlie Parker. […]
Brooklyn-based composer and multi-instrumentalist Dr Brian Landrus has a particular focus on low woodwinds. He has university degrees ranging from jazz performance to classical composition. His tenth album For Now , with […]
Kamasi Washington (Kings Theatre, Brooklyn. 20 February 2020. Review by Dan Bergsagel) It has probably been five years since Kamasi Washington last played an intimate venue, but the Kings Theatre is really […]
Piece for Noah Preminger Quintet (Smalls, NYC. 19 February 2020. Review by Dan Bergsagel) Noah Preminger, the much vaunted tenor player, is passing through Manhattan with his quintet en route back to […]
Mark Guiliana and Billy Martin with Soul Gnawa (Winter JazzFest) (The Sultan Room, 14 January 2020. Review by Dan Bergsagel) After the acoustic overload that is much of the Winter JazzFest – […]
From Detroit to the World: Celebrating the Jazz Legacy of Detroit and Honoring Marcus Belgrave (Winter JazzFest) (Le Poisson Rouge, NYC. 12 January 2020. Review by Dan Bergsagel) “From Detroit to the […]
Manhattan Marathon night, Winter JazzFest (Mercury Lounge, NYC, 11 January 2020. Review by Dan Bergsagel) The Winter JazzFest in New York runs over 11 days in January, but the Manhattan marathon nights […]
PRS Foundation and BBC Music Introducing at Winter JazzFest (Le Poisson Rouge, NYC. 9 January 2020. Review by Dan Bergsagel) A London accent isn’t particularly remarkable in New York, but it’s more […]
Brian Shankar Adler’s Fourth Dimension (Jalopy Theatre, New York, 5 December 2019. Review by Dan Bergsagel) Every jazz musician brings a tradition with them into the music they compose and improvise. Having […]
Aruán Ortiz (The Stone, NYC. 13 November 2019. Review by Dan Bergsagel) Aruán Ortiz has lots of interests – Cuban folklore, serial and chamber music, acoustic representations of pattern and architecture. With […]
Buster Williams: Bass to Infinity (World Premiere at IFC center, part of DOC NYC. 12 November 2019. Review by Dan Bergsagel) By most accounts the story of Buster Williams should have been […]
Darcy James Argue’s Secret Society (Jazz Standard, New York, 24 October 2019. Review by Dan Bergsagel) There is no dramatic start or ear-catching launch; instead, Darcy James Argue is slowly layering the […]
Mingus Big Band (Jazz Standard, E 27th Street, New York. 14 October 2019. Review by Dan Bergsagel) Monday is often a night off in the jazz world, but not at the Jazz […]
Michael Winograd is a driving force in modern Klezmer music in New York and beyond. He spoke to Dan Bergsagel about the music, its traditions, and his band Honorable Mentschn’s new album, […]
Telepathic Band – Electric Telepathy Vol. 1 album launch (Pioneer Works, Brooklyn, NY, 10 September 2019. Review by Dan Bergsagel) Album launch sets come in all shapes and sizes: sometimes they are a […]
