Brad Mehldau Trio
(Barbican Centre. 9 March 2020. Review by Sebastian Scotney)
We are all in need of reassurance that some things at least are right with the world. And for fans of Brad Mehldau, this gig provided it. His classic “Art of” trio with bassist Larry Grenadier and drummer Jeff Ballard stopped off at all the places where people who have followed his career and who know his ‘canon’ well would want them to go.
For example, we were treated to a visit to all those off-meter rhythmic games and semitone sleights on “All The Things You Are” that the trio was already challenging itself with more than two decades ago. In more restful vein there was a sublime and poetic “Folks who Live on the Hill”. We had the long-form harmonic explorations of “Sehnsucht”, but without going off into the knottier and more anguished counterpoint (think Alkan) that has sometimes been the destination of this tune. In “Midnight Rider” Mehldau offered us a blissful and serene solo piano excursion. There were also episodes when the trio just showed how naturally it can swing as a totally cohesive unit. Mehldau has written copiously about the theory of swing. How wonderful to hear it, to see it, and above all to feel it being done so naturally and compellingly in the moment.
For the last of the three encores, we were taken to the calm and serenity of “Secret Love”, where the end of the song form gave way to a simple swaying forth from tonic to dominant. That was a moment just to reflect gently on all the great things that had been during a set which, including three (clearly planned) encores, had occupied around 100 minutes.
There were many moments when Larry Grenadier’s sheer class as a bass player shone through, but I found myself mesmerised by the way he anchored and centred the title song from “Midnight Rider” with a repeated three-note figure. That simplicity and assurance were the steady rock from which Mehldau and Ballard could launch off anywhere they wanted. And Jeff Ballard has that knack of providing a kaleidoscope of textures and colours without conflicting, over-powering or ever being busy just for the sake of it. He was enjoying himself too.
And please can we talk about the sound. Down the years, the Barbican has had to field its share of criticism for primitive or just plain poor sound quality at gigs like this. So, if there is any justice left in this world, the Barbican inbox [firstname.lastname@example.org] should be bombarded this morning with emails praising last night’s efforts. From where I sat the sound was very good indeed throughout.
Brad Mehldau is back at the Barbican with Messrs. Redman, McBride and Blade on 9 July for Moodswing, again presented by Serious
Categories: Live review
I was at this concert. Does anyone recall the name of the piece played (I think) as the first encore? It was what used to be a ‘swinger’.
A great review for what was for me a brilliant concert.I was totally absorbed from the off in their intuitive playing and dexterity between each other,hinting, probing,suspending,releasing…a real joy to witness. I also wanted to know what the second encore piece was called?It really was hypnotic and beautifully capturing an exceptional night of music making with Brad,Larry and Jeff.
Here are the encores, with thanks to Piers Mason at Serious:
1) De-Dah (Elmo Hope – from the album “Here’s Hope!” w/ Paul Chambers and Philly Joe Jones)
2) Great Day (Paul McCartney – from the album “Flaming Pie”)
3) Secret love (Sammy Fain / Paul F Webster)
Thanks so much for the names of the encores. It was a remarkable evening of stunning music!
It was an astounding evening, I have come late to this sort of Jazz and to Brad and the trio and I am determined to make up for lost time. Like an earlier comment from start to finish I was so drawn in and felt I was playing every note and beat with them. So mentally stimulating, interesting with emotional intensity… just wow
A very good review, there was a lot more swing than I have heard from the trio on previous occasions. All were in top form. The sound wasn’t quite as good from where I was – the drums overshadowing the piano somewhat. Unfortunately a guy a couple of rows behind me coughed loudly and repeatedly throughout the show, which rather spoiled what would have been an excellent concert. Some people can be very selfish. A shame Keith Jarrett wasn’t there – he would have sorted him out!